Yearly Admin and Production Update

January always gets lost in a whirlwind of yearly admin tasks. Tax papers start to flood the mailbox, but what’s worse now is that they’re invading my email as more and more companies push to go paperless. I mean, I get that they save money, but my heavens if it isn’t hard to find that email with a generic title and vague link after it’s been flooded out by three weeks of emails.

Anyway, on the good news side, I spent the first two weeks of January re-reading the first half of The Star of Storms that I wrote last fall before falling into a pre-mid-terms news coma and general malaise. That immediately put me behind in my production schedule.

I was sorely tempted to flip the desk and say FORGET IT ALL, but I really, really liked what I had written (it’s still a first draft and mildly problematic) so much so that I reached the mid-point where I had stopped writing and went to flip to the next chapter asking (OUT LOUD) “Ooooh, I wonder what happens next?”

Only, I’m the writer and I HAD STOPPED THERE so now it was up to me to determine WHAT HAPPENS NEXT.

I was so mad at myself.

So, instead of abandoning all hope and deciding that January 2020 would be as good a time as any to start a writing career, I ran the numbers and determined that I could catch up on production if I wrote 2000 words per day.

That’s a not impossible goal most days, so I dove in and started writing. On days that I was tempted to do other things (well, hello there Sims 4) I forced myself to write first just so I could mark that one thing off my mental to-do list.

I’m pleased to say that I am almost fully caught up and will likely be fully caught up by Friday. Like, I was only 500 words off goal last Friday night.

That felt really, really good.

The downside is that I just don’t have the mental bandwidth to edit and write at the same time. I reached the point in book two, The Star of Fire, that I needed to do some pretty extensive re-writing and I had to call it quits on that momentarily. The plan now (subject to change at the whims of the writer) is to finish knocking SOS and then edit SOF while also plotting the first in a new series.

And yeah, SOS won’t be the last in the series, but it will give me three books and a natural pause in the story. I decided to break there for a beat and write another book in another genre, because well, money. I can always come back to the SOT world as a fun project (and I imagine Mr. Quinn will push for it as he really likes these books), but I need to see some sell-through to know it’s worth it to keep pounding away at this. I know my fellow authors will hear that one.

So that’s where I am.

As a side note, I also got some mad little tasks off my lingering list of things that need to be done that I don’t wanna do. That felt good too.

My Most Important Lesson {To Date}

I think all newborn baby writers tap away on their first book with the latent idea that their book is for the masses. Everyone will read and enjoy my masterpiece they think.

Other writers know better.

I know better (now).

The truth is that not every book is for every reader. There is no Everyman in the world who will universally love every book ever.

Never was this lesson driven home for me more than over the last week. I found myself, as I usually do around this time of year, wanting to read some good romance novels. This can be tricky for me, because I enjoy specific kinds of romance and Amazon isn’t the greatest place to actually find what you’re looking for in most romance sub-categories.

I love sweet romance, and while I’ll read steamy from certain authors, those have to be highly recommended (so leave me a list in the comments would you, Mama needs some good romances! Still!).

Anyway, I found a handful of new to me authors with books that looked like they might work and I downloaded them to my Kindle.

And I deleted them almost as quickly.

My first reaction was “Those weren’t good books.”

But, I was wrong.

See, the first book was deleted because it was written in first person present. I discarded that one before I was three sentences in. So, I can’t say it was a bad book based on a stylistic choice.

The second one was not a sweet romance and danced over the light steam line with impunity. Again, a stylistic choice, though I wish Amazon would make romance categorization easier/better/whatever.

Those books weren’t bad books, they just weren’t the books for me!

I don;t like first person present. But other people do. They like to write it and they like to read it. I don’t, but that did not make this book a bad book.

I don’t like erotic romance. But, other people do. They like to read it and they like to write it. I don’t, but that did not make this book a bad book.

And that, I think, is an important idea to keep in mind when reading reviews on your own work. The people that didn’t like your book may say that you wrote a bad book. They may offer constructive criticism. But it may be that their dislike should only be read as “this wasn’t the book for them.”

For the record, I didn’t review either book. Nobody deserves a bad review based on stylistic choices in my opinion. And I did find a great book that fit the bill, so that was a good thing as well.

But all of this was a great lesson for me. Readers are allowed to like what they like and they don’t have to justify that.

Getting a Move On

Every writing book I’ve read in the last few weeks has had one thing in common. Besides talking about writing.

They all have spent a fair amount of words on the importance of moving your body. And I get it. Writing is super sedentary. Literally nothing I do requires me to move. I could work in bed all day if I wanted.

That’s not a good thing. It sounds amazing, but it’s not good.

So, I signed up for a 5k in March. And I fired up the old Couch to 5k app again. It’s not my first time racing, and hopefully it won’t be my last. On a positive note, I didn’t hate running as much as I did before. Of course, I’ve been out exactly one time, so talk to me in a few weeks about how I’m feeling.

This time around I really want to pay attention to whether or not I feel more creative overall. That’s supposed to be a benefit of getting out and moving. I think last time I was so miserable the only creative boost I saw was in writing about food. Ha!

I won’t bore you with training details here, but will let you know how the 5k goes.

2019 Goals and Plans

I cringe every time I write goals now, because my reporting back always seems to center around all the reasons why I didn’t make my goals. It gets tiring really fast. It’s almost like my contrary nature makes me self-sabotage. I don’t know. It’s weird.

And yet, here I am writing down the goals I have in my head for 2019.

Writing

I’m sticking with the 5,000 words per week plan again. This should put me somewhere around 200,000 words for the year. I’ve already put together a production calendar that has blocked off vacation and travel time and noted events that may hamper production so I can hopefully plan better.

I also included ample plotting time in the calendar for each new book. I’ve found that I write better with an overview, a framework. It often gets changed on the fly, but giving myself space and time to plan the next book before diving in should help when it comes time to buckle down and write.

Publishing

I have two books that are in editing now. Hoping to get those published soon.

By the end of 2019 the plan is to have three more ready to go or already published.


That’s it. That’s all there is. I decided to keep it super simple this year, in hopes that it will be easier to achieve and evaluate at the end of the year.